Robert McNally, born 1982 in Gateshead, UK, lives and works in Berlin, DE.
McNally draws from memory, mediating thought and emotions into a world far from the language of words. The drawings cram a universe-into-an-atom type of density. The subject matter morphing into layers of unravelling story threads emptying out into fluent, linear, pictorial fictions. Constructed meaning becoming truth is at the heart of McNally's work. From mass-media and news channels to the zone where the Dark Arts meet pseudo-science.The subjects of McNally's work consist in denial, ignorance, ridiculousness, satire, parable, allegory, hypocrisy, anachronism, relationship with history, ambivalence, the fine line between faith and understanding, manipulation and gullibility. McNally's incredible technique employs similar ruses, tricking the eye, confounding the viewer. The works also serve to reinforce the artist's belief in art, as he says: Art has similarities to the mechanics of mysticism, the currency and value being largely subjective, the effect questionable and the interpretation often so utterly broad as to render it almost meaningless. But I am able to live by art's honesty that it is man made and that I don't need a medium to explain it to me.
Robert McNally received his BA in Drawing from Camberwell College of Art (2002-2005).
McNally has works in the collections of Museum Boijmans van Beuningen (NL) and Damien Hirst’s Murderme collection, Ekard Collection (NL), West Collection (USA), Sovereign Art Foundation (HK), Jake Chapman (UK), Dinos Chapman (UK), Olbricht Collection (DE).
Selected solo shows include Drawings from the Hermit's Cave, David Risley Gallery, Copenhagen, DK (2017); Auf Wiedersehen, Workplace Gateshead, Gateshead, UK (2017); Artist of the Day, Flowers Gallery, London, UK (2015); Shyster, Chisler & Quack, David Risley Gallery, Copenhagen, DK (2015); One in the Other, London, UK (2011)
Selected group exhibitions include In the Pines - Slight Return, David Risley Gallery, Copenhagen, DK (2017); Prememories, Aeroplastics Contemporary, Brussels, BE (2016); Small is beautiful, Flowers Gallery, London, UK (2015); Between the Lines, All Visual Arts, London, UK (2013); Wonderful-Die Olbricht Collection, Me Collectors Room, Berlin, DE (2012); Extravagent, Shameless, Unlimited, Museum Boijmas van Beuningen, Rotterdam, NL (2012); Dessins Contemporains Surréalistes de Rotterdam, Institut Néerlandais, Paris, FR (2012); Return, The House of the Nobleman, London, UK (2011)